This album turned up today from the Sterns sale. It's a wonderful album. I've never heard of any of the musicians, so it seems to me that there is a younger generation of SA jazz musicians, well imbued with the spirit of Abdullah Ibrahim, knocking around SA now. It was recorded in 2002.
I'm most impressed by Dhlamini and, particularly, by Sello Manyaka, who doen't seem to me to have anything more to do to be a great jazz saxophonist, in the Kippie Moeketsi tradition.
Most of the songs are originals, the words by Linda, the music by her husband, Ephraim Kekana, who doesn't appear on the record. The exceptions are the title track, which is a speech by Thabo Mbeki, recited and sung over an old Abdullah Ibrahim tune, the title of which eludes me for the moment; and "Senanapo" which has original music set to a traditional story.
Linda seems to me to occupy a similar kind of space to Ursula Rucker, the Philadelphia rap artist whose work is a lesson to everyone about Hip Hop and the world. Indeed, a couple of the tracks on this album are every bit as painful to listen to as some of Ursula's raps; the world CAN be a beautiful place, but often it is almost too terrible to believe. But, of course, the music is different; what you get here is the same kind of Mbaqanga influence turned into jazz via Abdulah Ibrahim, but carried into a different area. The way Linda uses her voice reminds me a bit of Abbey Lincoln; but I don't like Abbey much - I do like Linda, so it ain't the same.
This is on sale cheap at Sterns UK. You can listen to samples of all the tracks here. But I wouldn't advise listening to either Loss Of a Childor Newsflash as samples. And U Could Be Happy Too is untypical of the album, as it's a slow Salsa number. If you're interested in SA Jazz, make a grab for this. If you're interested in unusual and meaningful music, grab this - AM
4.9.07
Lambchop - Damaged - SLANG1041092
It's taken me a while to get the hang of Lambchop. I first tried Awcom and was baffled, mainly by the corny instrumentals, but then I was introduced to Is A Woman, which made more sense. Now Damaged has got me hooked.
Kurt Wagner's fractured vocals blend particularly well with the smooth, almost orchestral backing and, although most of the songs are as calm and quiet as those on Is A Woman, the album holds your attention. The opening song, Paperback Bible, celebrates the small things - an old birdbath, a recliner and a prom pageant dress - being offered for sale on an American radio programme, presumably a forerunner of eBay. There is a real pathos in all these old possessions being cast out into the world to find a life with a new owner. I Would Have Waited Here All Day is the voice of a disappointed wife, dragging out her day, waiting for her husband to come home. It's not clear things will get any better when he does. The final track, The Decline of Country and Western Civilisation, raises the temperature with its reference to Confederate general Nathan Bedford Forrest and its refrain of "damn you're looking ugly to me."
I'm a convert now.
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